$ 15.00 $ 22.00
This poster was inspired by Osvaldo Mariscotti's 2050 Series (New York, USA, September 2012). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's 2050 Series (New York, USA, September 2012). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Bas Relief Series (New York, USA, October 2013). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Bas Relief Series (New York, USA, October 2013). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Bas Relief Series (New York, USA, October 2013). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Bas Relief Series (New York, USA, October 2013). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Book of Color series (New York, USA, November 2014). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Color Symphony Series (New York, USA, July 2013). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Dark Orange painting (New York, USA, June 2009). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
As we progress in time we reach the Late stage of the Color Abstraction Period (2004-09). We immediately notice the change in the role of the background. Now, the background sets the mood of the work, a mood which is set and unchanging. The grid in this case is defined as the absence of color, natural breaks present between transitions of the black figures. Given the increased role of the background, we observe less color 'complements' to the black shapes, with the introduction of light shadows which define the concept of motion.
$ 15.00 $ 22.00
This poster was inspired by Osvaldo Mariscotti's Metal Series (New York, USA, December 2012). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Gold Supreme (New York, USA, April 2013). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
Printed on the occasion of Osvaldo Mariscotti's participation in the IX Florence Biennale which took place at the Fortezza da Basso in December 2013.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Nocturne Series (New York, USA, February 2014). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Nocturne Series (New York, USA, February 2014). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Nocturne Series (New York, USA, February 2014). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Nocturne Series (New York, USA, February 2014). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Nocturne Series (New York, USA, February 2014). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Nocturne Series (New York, USA, February 2014). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Pink painting (New York, USA, June 2009). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
As we progress in time we reach the Late stage of the Color Abstraction Period (2004-09). We immediately notice the change in the role of the background. Now, the background sets the mood of the work, a mood which is set and unchanging. The grid in this case is defined as the absence of color, natural breaks present between transitions of the black figures. Given the increased role of the background, we observe less color 'complements' to the black shapes, with the introduction of light shadows which define the concept of motion.
$ 15.00 $ 22.00
This poster was inspired by Osvaldo Mariscotti's Studio del Colore Series (Buenos Aires, Argentina, April 1995). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Red Period works (Buenos Aires, Argentina, January 1984). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Unbounded Series (New York, USA, February 2014). Printed on high quality photo paper, this semi-gloss poster has a...
View full product details$ 22.00
This poster was inspired by Osvaldo Mariscotti's Black Beauty Series (New York, USA, December 2012). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Black Beauty Series (New York, USA, December 2012). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Black Beauty Series (New York, USA, December 2012). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 15.00 $ 22.00
This poster was inspired by Osvaldo Mariscotti's Black Beauty Series (New York, USA, December 2012). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 148.00
This poster was inspired by Osvaldo Mariscotti's Black Beauty Series (New York, USA, December 2012). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
Please note, all signed posters are exclusive to Mariscotti Art.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Red Period works (Buenos Aires, Argentina, September 1983). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.
$ 15.00 $ 22.00
This poster was inspired by Osvaldo Mariscotti's Untitled 21A oil on canvas painting (Milan, Italy, April 2000). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Red Period works (Buenos Aires, Argentina, April 1982). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.
$ 15.00 $ 22.00
This poster was inspired by Osvaldo Mariscotti's Untitled 47G oil on canvas painting (Milan, Italy, May 2000). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.
$ 15.00 $ 22.00
This poster was inspired by Osvaldo Mariscotti's Untitled 625, Oil & paper on canvas (Milan, Italy, May 2009). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
As we progress in time we reach the Late stage of the Color Abstraction Period (2004-09). We immediately notice the change in the role of the background. Now, the background sets the mood of the work, a mood which is set and unchanging. The grid in this case is defined as the absence of color, natural breaks present between transitions of the black figures. Given the increased role of the background, we observe less color 'complements' to the black shapes, with the introduction of light shadows which define the concept of motion.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Color Variations Series (New York, USA, January 2013). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Color Variations Series (New York, USA, January 2013). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Color Variations Series (New York, USA, January 2013). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Color Variations Series (New York, USA, January 2013). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.
The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.
$ 22.00
This poster was inspired by Osvaldo Mariscotti's Red Period works (Buenos Aires, Argentina, June 1982). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.
Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.