A giclée reproduction of Untitled 15, 1984 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.

Every detail is crystal clear in the sensational acrylic block. The colors seem brighter and the sense of depth is incredible. From the back, our acrylic block is white, reserved and elegant.

The acrylic block serves as a modern home accessory when placed out in the open, on a desk, or up on a windowsill. With 25mm of acrylic glass, its strong edges give you absolute freedom in where you put it. Simple and easy.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.

Postcard of the Osvaldo Mariscotti artwork Untitled 15 from 1982.

Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.

This poster was inspired by Osvaldo Mariscotti's Red Period works (Buenos Aires, Argentina, September 1983). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.

Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.

American artist Osvaldo Mariscotti lends his coveted abstract print to this glam graphic pillow. The iconic original print adds the perfect pop of pattern to any space.

A giclée reproduction of Untitled 15D, 2000 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

A giclée reproduction of Untitled 21A, 2001 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

A giclée reproduction of Untitled 21A, 2000 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

Postcard of the Osvaldo Mariscotti artwork Untitled 21A from 2000.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

This poster was inspired by Osvaldo Mariscotti's Untitled 21A oil on canvas painting (Milan, Italy, April 2000). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

A giclée reproduction of Untitled 23, 1986 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.

Every detail is crystal clear in the sensational acrylic block. The colors seem brighter and the sense of depth is incredible. From the back, our acrylic block is white, reserved and elegant.

The acrylic block serves as a modern home accessory when placed out in the open, on a desk, or up on a windowsill. With 25mm of acrylic glass, its strong edges give you absolute freedom in where you put it. Simple and easy.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.

Postcard of the Osvaldo Mariscotti artwork Untitled 23 from 1986.

Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.

This poster was inspired by Osvaldo Mariscotti's Red Period works (Buenos Aires, Argentina, April 1982). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.

Mariscotti's Red Period (1980s) consists of vibrant paintings where motion is the main theme rendered as strong diagonals of color which produce subdivisions on the canvas that at the same time highlight the space in each section. The color red is widely used in the canvases of this period, only combined with certain other colors such as yellow, green and blue.

American artist Osvaldo Mariscotti lends his coveted abstract print to this glam graphic pillow. The iconic original print adds the perfect pop of pattern to any space.

A giclée reproduction of Untitled 23C, 2000 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

Postcard of the Osvaldo Mariscotti artwork Untitled 23C from 1999.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

A giclée reproduction of Untitled 26SQ, 1995 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

American artist Osvaldo Mariscotti lends his coveted abstract print to this glam graphic pillow. The iconic original print adds the perfect pop of pattern to any space.

A reproduction of Untitled 3098, Studio Figurativo 1997 by Osvaldo Mariscotti.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

A giclée reproduction of Untitled 30B, 2001 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

A giclée reproduction of Untitled 30B, 1999 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

Postcard of the Osvaldo Mariscotti artwork Untitled 30B from 2000.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

A reproduction of Untitled 3101, Color Abstraction Series 1998 by Osvaldo Mariscotti.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

A reproduction of Untitled 3117, Color Abstraction Series 1998 by Osvaldo Mariscotti.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

A reproduction of Untitled 3156, Color Abstraction Series 1998 by Osvaldo Mariscotti.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

A reproduction of Untitled 3172, Color Abstraction Series 1998 by Osvaldo Mariscotti.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

A reproduction of Untitled 3276, Color Abstraction Series 1998 by Osvaldo Mariscotti.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

A reproduction of Untitled 3278, Color Abstraction Series 1998 by Osvaldo Mariscotti.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

A giclée reproduction of Untitled 40G, 2000 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Geometric Period (1990-95) is characterized by a more cautious approach to the canvas. We observe large sections of untreated canvas with shapes, usually in the form of squares or rectangles, suspended in space. The color black works as mediator between the canvas and the color shapes for it creates a web that stops the elements from drifting away.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.

The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.

A giclée reproduction of Untitled 47G, 2001 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

A giclée reproduction of Untitled 47G, 1999 by Osvaldo Mariscotti.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

Postcard of the Osvaldo Mariscotti artwork Untitled 47G from 2000.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

This poster was inspired by Osvaldo Mariscotti's Untitled 47G oil on canvas painting (Milan, Italy, May 2000). Printed on high quality photo paper, this semi-gloss poster has a soft shine finish which reduces glare.

The Pseudo-figurative period (1996-2000) is characterized by vibrant paintings that resemble works from the Red Period; however, incorporating ideas from the later Geometric Period. The canvas is completely covered by color, with darker shapes, usually in black or blue, spread uniformly across the work. We observe the first efforts at dividing the canvas in clearly demarcated sections, something that will become a personal symbol for the artist in later periods. The artist introduces for the first time the concept of "change" and "progression", establishing milestones for later work.

Giclées are prints generated from digital scanning. They are extremely accurate in their interpretations of original works to the extent that they can capture the most subtle nuances of color and texture. The process results in prints that are water, fade and scratch resistant.

The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.

The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.

A reproduction of Untitled 5547, Color Series 2012 by Osvaldo Mariscotti.

The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.

The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.

A reproduction of Untitled 5724, Multiples Series 2012 by Osvaldo Mariscotti.

The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.

The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.

A reproduction of Untitled 5801, Dark Series 2012 by Osvaldo Mariscotti.

The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.

The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.

A reproduction of Untitled 5923, Metal Series 2012 by Osvaldo Mariscotti.

The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.

The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.

A reproduction of Untitled 5923, Metal Series 2012 by Osvaldo Mariscotti.

The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.

The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.

A reproduction of Untitled 5923, Metal Series 2012 by Osvaldo Mariscotti.

The Simplified period (2010-15) is characterized by the interaction between background and center figures. Complementary colors now surround each figure producing halos that extend to the limits of each section. The artist creates a ripple effect which conveys a sense of expansion. The work is no longer bound to the canvas, it involves its surroundings. Furthermore, this idea takes us to perhaps the main particularity of this work, perception. These works were mostly produced using fluorescent acrylics which, when exposed to certain types of light, react creating unexpected and usually quite unconventional visual effects.

The later part of the period is characterized by much simplified constructions where the width and separation between elements conveys the meaning of the work.